Using “repository” as a key concept, the exhibition explored a structure moving between inside and outside. Works were dispersed across the architecture of the Ota Museum of Art & Library, creating a situation in which fragments of landscape and memory reconnect through visitors’ movement. Layered with my virtual world, the exhibition was composed as a structure for accumulating memory. The landscape does not appear as a fixed image but emerges as something continually renewed through experience, while relationships with the works of Shinichiro Koromo arise through the act of circulation within the building.