I participated in a project organized by Tokyu’s online platform Art Valley, presenting large-scale works on two glass surfaces in the atrium near the Shibuya Station Hikarie ticket gates. The project aimed to connect everyday commuters with art within a public transit space. Each work was accompanied by a QR code linking viewers to the online platform, where both physical works and digital works—including NFTs—were available. By integrating exhibition and acquisition across physical and networked environments, the project proposed a mode of engagement that moves between real and virtual spaces. Set against the expanded digital conditions following the pandemic, it explored new points of contact with art beyond fixed locations.